PERSONAL
Projects
Two Sides of One Coin
This photographic series explores the illusion of opposition in human morality. The female figure is partially concealed behind a veil — not to erase identity, but to suggest the unconscious: the layer through which we perceive ourselves and others without full clarity. The face is present, yet withheld, echoing how our motives often operate beneath awareness. The subject is illuminated from two sides: blue and red/orange. These opposing colors symbolize virtues and vices as we commonly define them — restraint and desire, control and surrender, reason and impulse.
In everyday judgment, we separate them. In lived experience, they coexist. What we label as a “virtue” or a “flaw” often serves the same hidden purpose: adaptation, protection, belonging, or power. In this sense, virtue and vice are not enemies. They are two expressions of the same inner strategy — two sides of one coin, revealed only when light (our awareness) strikes from opposite directions. The veil, the dual light, and the restrained pose invite the viewer to question moral binaries and consider a more integrated view of human behavior: not as good versus bad, but as meaningful responses shaped by unseen intentions.
question of freedom
Reality appears as a layered fiction: a masked human body stands in an open field, a ladder reaching upward, a bird poised between ground and sky—each element a quiet question of freedom.
The work speaks of awakening not through escape or self-definition, but through remembering our place within something larger, where ascent, flight, and stillness belong to the same whole.
The work speaks of awakening not through escape or self-definition, but through remembering our place within something larger, where ascent, flight, and stillness belong to the same whole.
gravity for growing
A signal from the other side of childhood — frequencies of wonder, unframed. Curiosity is the real gravity for growing.
A Chicken, a Mirror, and the Armchair
We came across this abandoned armchair during a walk by the river. It felt oddly comforting to find a place to sit and take in the view—especially if you happen to be a chicken.
I couldn’t shake the feeling that the old armchair was also a kind of time portal, and the round mirror added just enough mystery to complete the fantasy. What surprised me most was how deeply this kind of play resonated with the kids—so next time, we promised to give imagination even more space to roam.
I couldn’t shake the feeling that the old armchair was also a kind of time portal, and the round mirror added just enough mystery to complete the fantasy. What surprised me most was how deeply this kind of play resonated with the kids—so next time, we promised to give imagination even more space to roam.
